Goko renovated a house built in the 1920s to create Chapel Studio with space for recording, meetings, hosting parties and accommodating overnight guests.
The studio, founded by Mexican architect Christopher Koehn, wanted the music studio to be open and bright, instead of dark and confined.
“Music studios have a tendency to be closed, cold clustered, visually saturated, artificially lit spaces,” Goko said. “No sunlight, no spacial communication, no inspiration.”
A large skylight punctures the centre of the double-height ceiling inside Chapel Studio. The surrounding walls are each angled slightly differently to disperse the light throughout the space.
“On the double-height central room we opened a ‘skyspace’ over the dome to inject natural sunlight into the core of the project,” Goko continued.
At the studio’s entrance, the studio designed a dimly lit hallway leading to double doors that open to a luminous area known as The Chapel. It said the interval draws on the Japanese ideal Ma, which can be translated as gap or space.
“You enter through a very dark, acoustically isolated tunnel with an atmospheric sound triggered by the body’s movement,” the studio added.
Vertical wood slats cover the walls in the main recording area and the smaller control and meeting rooms. The strips of wood conceal bulky wall tiles and acoustic equipment used in recording studios.
“Acoustically, we developed a system to hide all the wooden saturated cubed irregular wall tiles, normally seen at recording studios, to create a visually clean wooden striped space,” Goko said.
“Through this system we hid all the acoustic requirements of the project on the back of the walls and the door design integrates the same pattern to unify the space.”
Folding acoustic glass doors sound proof the control room, recording booth and double-height room, and allow for visual communication between them.
Large rectangular windows provide views to two courtyard gardens on the ground floor of the building. Plants and a wooden bench line the perimeter of the terrace located on the building’s rooftop.
In addition to the recording and editing spaces, Goko has included several recreational rooms with couches and chairs and a full kitchen for entertaining clients.
On the upper level there is a bedroom for accommodating out-of-town guests, as well as a television room and studio.
Photography is by Fernando Marroquin.
Architectural design: Christopher Koehn, Goko
Acoustic design: Omar Saad, Saad Acústica
Project manager and 3D: Jetro Centeno
Drawings: Gabriel Azuara
Woodwork: Daniela SantosCoy, Co-Crear Espacios
Landscape design: Florever, Paloma
Lighting design: Martin Leal, Lampe
Construction manager: Carlos Ascención
Window work: Grupo CBCA
Steelwork: Frank Carrera
Furniture: La Metropolitana
Table and desk design: Co-Crear Espacios
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